The Body Remembers When the World Broke Open – a ball directed by Kathleen Hepburn and Elle-Máijá Tailfeathers about a accord amid two Indigenous women from altered amusing backgrounds – has won the Toronto Blur Critics Association’s 2019 Rogers Best Canadian Blur Accolade forth with its $100,000 purse.
The accolade is the richest anniversary blur award-winning in Canada. It was presented to administrator Kathleen Hepburn and director/co-star Elle-Máijá Tailfeathers by columnist and feminist charlatan Margaret Atwood, whose dystopian atypical THE HANDMAID’S TALE aggressive the culturally-impactful alternation that will anon shoot a fourth division in Toronto.
The Body Remembers When the World Broke Open is an adventuresome assignment attempt in absolute time on 16mm film. It co-stars Violet Nelson as a abundant adolescent woman beat an calumniating accord and was ahead called one of the top 10 Canadian movies of the year by the Toronto All-embracing Blur Festival.
As runners-up, Antigone administrator Sophie Deraspe and Firecrackers administrator Jasmin Mozaffari anniversary accustomed $5,000 from Rogers Communications.
Hosted by TIFF Artistic Administrator and Co-Head Cameron Bailey, the commemoration took abode at a bright banquet captivated January 9, 2020 at The Omni King Edward Auberge in Toronto with a cocktail accession sponsored by Cineplex Entertainment.
“The appellation is poetic, but the adventure is ashore in the bone-deep absoluteness that animates the best of Canadian film,” TFCA President Peter Howell said of The Body Remembers When the World Broke Open. “TFCA associates responded to its empathy, bluntness and amusing currency, as will anyone who angle it.”
“It’s abundantly acceptable to see the TFCA’s critics bless a basic Indigenous adventure directed by two women alive on the acid bend of Canadian cinema,” said Rogers Vice-Chair Phil Lind. “The originality, affecting ability and arduous assumption of The Body Remembers When the World Broke Open is absolutely what this accolade is advised to encourage.”
At the gala, actors Sarah Gadon (Alias Grace, True Detective) and Kaniehtiio Horn(Letterkenny, Mohawk) alien letters of acknowledgment from winners, including videos from amateur winner, administrator Bong Joon-ho (Parasite) and Best Actor champ Adam Driver(Marriage Story), and a bulletin from Steven Zaillian, Best Screenplay champ for The Irishman.
Traci Melchor, chief contributor for CTV’s etalk, handed the accolade for Best Animated Feature to administrator Chris Butler for Missing Link. The stop-motion blur from Portland’s Laika studios had already won a Golden Globe beforehand in the week.
Host Bailey presented the Allan King Documentary Accolade to Yiqian Zhang, co-producer of American Factory, Steven Bognar and Julia Reichert’s blur about a Chinese aggregation that takes over a shuttered GM bulb in Ohio, and the cultural clashes that followed in the workplace.
Actor Amanda Brugel (The Handmaid’s Tale, Kim’s Convenience) presented actor-director Deragh Campbell with the $10,000 Stella Artois Jay Scott Award-winning for an arising artist. Campbell has starred in Sofia Bohdanowicz’s leash Never Eat Alone, Veslemøy’s Song and MS Slavic 7, co-directing the latter. In 2019, she starred in Anne at 13,000 Ft., which accustomed a board honourable acknowledgment at the Toronto All-embracing Blur Festival.
In its mission to admit new choir in blur criticism, the TFCA gave Victor Stiff the additional anniversary RBC TFCA Arising Analyzer Award, presented to him by Canadian ball fable Rick Mercer. Stiff is a Rotten Tomatoes Tomatometer-approved analyzer who is an editor at thatshelf.com and intheseats.ca and a contributor to several online blur outlets.
As well, the TFCA gave a appropriate commendation to the Canadian absolute blur benefactor Mongrel Media, honouring its 25 years of “making the Canadian accurate mural a richer, added adventuresome place.” In the absence of Mongrel architect Hussain Amarshi, TFCA President Peter Howell led acclaim for a blur benefactor that “has abundantly accomplished and aggressive the Canadian blur scene,” with its abutment for such borough talents as Sarah Polley, Deepa Mehta and Jennifer Baichwal and all-embracing stars like Abbas Kiarostami, Joel and Ethan Coen, Ken Loach and Michael Haneke.
Richard Crouse, host of the CTV allocution appearance Pop Life, and arresting celebrity TV-interviewer Teri Hart accustomed eminent associates of the blur industry, borough and cultural association on the red carpet, including Atwood, Mercer and Butler, TIFF co-head and controlling administrator Joana Vicente, extra Nahéma Ricci (Antigone) and above TIFF COO and brand-builder Michèle Maheux, almsman of this year’s Technicolor Clyde Gilmour Award. That accolade came with a pay-it-forward admission of $50,000 in assembly casework to a ascent filmmaker, which Maheux presented to Lina Rodriguez. Veteran filmmaker Don McKellar (Last Night, Through Black Spruce) presented the award.
The TFCA is acutely beholden to founding sponsor Rogers Communications for the Rogers Best Canadian Blur Award, to abiding sponsors Labatt for the Stella Artois Jay Scott Award-winning for an arising artist, to Technicolor Creative Casework for the Technicolor Clyde Gilmour Award, and to Cineplex Entertainment for the Cineplex cocktail reception. The TFCA acknowledgment Air Canada as the official airline sponsor and RBC for the Arising Analyzer Award. The TFCA additionally acknowledgment albino sponsor Perrier-Jouët, The Globe and Mail, Zoomer Magazine, Chair-man Mills, TAXI Canada and welcomes new official auberge sponsor The Omni King Edward Hotel.
(Under the TFCA’s guidelines, contenders acceptable for the awards accommodate films appear in Canada in 2019 additional films that authorize for the 2019 Oscars and accept Canadian administration appointed by the end of February 2020.)
Established in 1997, the Toronto Blur Critics Association is comprised of Toronto based journalists and broadcasters who specialize in blur criticism and commentary. All above dailies, weeklies and a array of added book and cyberbanking outlets are represented.
The TFCA is affiliated with the All-embracing Federation of All-embracing Blur Critics (FIPRESCI). Associates accept sat on juries at festivals in Cannes Toronto, Berlin, Venice, Miami, Palm Springs, Vienna, Chicago, Pusan, Moscow, San Francisco, Warsaw, Amsterdam and London, amid others.
Photo Credit: George Pimentel Photography
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